Jean-Baptiste Monnoyer(12 January 1636 - 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painterswho collaborated to produce cartoons for the suite The Emperor of China. He was born at Lille, but was in Paris by 1650, where he was documented working on the decors of the Hôtel Lambert. He was taken up by Charles Le Brun for decorative painting at the Château de Marly and at the Grand Dauphin's residence, the Château de Meudon. He was received at the Academie Royale de Peinture et de Sculpture in 1665 with a piece of the genre that he made his specialty, a still life of flowers and fruit combined with objets d'art. His only appearance at the Paris salon was in 1673. | |||
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Fruit et fleurs Gemälde ID:: 74676 Siehe Galerie in Schweden |
Fruit et fleurs 74,5 cm x 122 cm sur toile. cjr 74,5_cm_x_122_cm_sur_toile. cjr |
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Still-Life of Flowers and Fruits Gemälde ID:: 75053 Siehe Galerie in Schweden |
Still-Life of Flowers and Fruits 1665 Oil on canvas 146 x 190 cm cjr 1665 _ _Oil_on_canvas _ _146_x_190_cm _ cjr |
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Fruit et fleurs Gemälde ID:: 76198 Siehe Galerie in Schweden |
Fruit et fleurs 74,5 cm x 122 cm sur toile. 74,5_cm_x_122_cm_sur_toile. |
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Flowers and Fruits Gemälde ID:: 76812 Siehe Galerie in Schweden |
Flowers and Fruits Date 1665 Medium Oil on canvas Dimensions 146 x 190 cm cyf Date_1665 _ Medium_Oil_on_canvas _ Dimensions_146_x_190_cm _ cyf |
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| Jean-Baptiste Monnoyer | ||||||||||
| (12 January 1636 - 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painterswho collaborated to produce cartoons for the suite The Emperor of China. He was born at Lille, but was in Paris by 1650, where he was documented working on the decors of the Hôtel Lambert. He was taken up by Charles Le Brun for decorative painting at the Château de Marly and at the Grand Dauphin's residence, the Château de Meudon. He was received at the Academie Royale de Peinture et de Sculpture in 1665 with a piece of the genre that he made his specialty, a still life of flowers and fruit combined with objets d'art. His only appearance at the Paris salon was in 1673. | ||||||||||
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